Queen Elizabeth Hall, London
New York company Nature Theater of Oklahoma’s take on the US president is an ideas-packed, dance-adjacent comedy inspiring whoops and walkouts
Is this show genius or self-satisfied nonsense? Is it a dadaist farce, scathing political satire or just empty surrealism? One thing’s for sure, it is completely Marmite, met with both whoops and walkouts on this London debut. Nature Theater of Oklahoma are in fact an experimental theatre company from New York, and No President, originally made in 2018 (when a certain president was in his first term), involves the following: a pair of security guards protecting a mysterious curtain and whatever is behind it, a love triangle (actually a pentagon), a rival security company in tutus, an insecure man rising to be a Trump-ish despot, and a lot, lot more.
It’s staged as a “ballet” inasmuch as the score is Tchaikovsky’s Nutcracker and the performers wear ballet flats and unitards (with cutesy knitted genitals stuck on top) while dancing their way through the show’s two hours, sometimes a bouncy jog, occasionally fouettés. Untrained dancers, like this cast, can bring many qualities to the stage – vulnerability, striving, humanity, joy – but here (at least until the very end) the mode is just lightly comic.
